Posts tagged la fontaine
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Image Title: Le cerf se voyant dans l’eau. Creator: Doré, Gustave, 1832-1883 — Artist (via NYPL Digital Gallery | Detail ID 822399
)


The stag seeing himself in the water Fom Fables de la Fontaine,  Paris, 1868

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marsiouxpial:

Image Title: Le cerf se voyant dans l’eau. Creator: Doré, Gustave, 1832-1883 — Artist (via NYPL Digital Gallery | Detail ID 822399

)

The stag seeing himself in the water Fom Fables de la Fontaine, Paris, 1868

Saturday, May 1, 2010
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Neighbour Peter’s mare, illustration by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896. 
Via archive.org

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Neighbour Peter’s mare, illustration by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896.
Via archive.org

Tuesday, April 27, 2010
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The picture, illustration by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896. 
Via archive.org

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The picture, illustration by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896.
Via archive.org

Tuesday, April 27, 2010
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Feronde, illustration by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896. 
Via archive.org

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Feronde, illustration by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896.
Via archive.org

Tuesday, April 27, 2010
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The Devil of Pope-Fig Island, illustration by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896. 
Via archive.org

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The Devil of Pope-Fig Island, illustration by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896.
Via archive.org

Tuesday, April 27, 2010
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King Candaules and the doctors of law, illustration by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896. 
Via archive.org

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King Candaules and the doctors of law, illustration by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896.
Via archive.org

Tuesday, April 27, 2010
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The dressmaker, by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896. 
Via archive.org

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The dressmaker, by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896.
Via archive.org

Monday, April 26, 2010
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The case of conscience, by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896. 
Via archive.org

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The case of conscience, by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896.
Via archive.org

Monday, April 26, 2010
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The pack-saddle, by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896. 

The original edition of Contes et nouvelles en vers, by La Fontaine, from which these illustrations were taken, is arguably the most famous set of books (two volumes) in French bibliophilia, and one of the finest of the XVIIIth century. 
It is usually referred to as the farmers-general’s edition (l’édition des fermiers généraux), because those wealthy tax collectors put up the money for it. They stopped at nothing to make it magnificent, hiring Charles Eisen, who delicately amplified in his illustrations what the tales suggested. They also asked Chauffard, an ornamental engraver, to work on the chapter tailpieces.
 Only 2000 copies were printed in Paris by Barbou, on Holland paper, and published in 1762, in usually equally lavish bindings (get a glimpse there).


Via archive.org

higher resolution

The pack-saddle, by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896.

The original edition of Contes et nouvelles en vers, by La Fontaine, from which these illustrations were taken, is arguably the most famous set of books (two volumes) in French bibliophilia, and one of the finest of the XVIIIth century.
It is usually referred to as the farmers-general’s edition (l’édition des fermiers généraux), because those wealthy tax collectors put up the money for it. They stopped at nothing to make it magnificent, hiring Charles Eisen, who delicately amplified in his illustrations what the tales suggested. They also asked Chauffard, an ornamental engraver, to work on the chapter tailpieces.
Only 2000 copies were printed in Paris by Barbou, on Holland paper, and published in 1762, in usually equally lavish bindings (get a glimpse there).


Via archive.org

Monday, April 26, 2010
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Hans Carvel’s ring, by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896. 
Via archive.org

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Hans Carvel’s ring, by Charles Eisen. From Tales and Novels in verse, by Jean de La Fontaine, vol. 2, London, 1896.
Via archive.org

Monday, April 26, 2010