Posts tagged l'artiste
V. Sansonnetti, frontispiece from L’artiste, series 2, Vol. 7, Paris, circa 1841.
(Source: archive.org)
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Prints:
About:
A collection of vintage illustrations, taken from books published between the 18th century and the first quarter of the 20th century. Unlike the pictures from the main site, these ones don't belong to me, and I don't own the originals. While most of them are in the public domain, it doesn't imply that they are all free to use for commercial purpose. Please read the terms of service of the source site before incorporating them into your projects.
Un florilège d'illustrations anciennes, extraites de livres publiés entre le XVIIIe siècle et le premier quart du XXe siècle.
A la différence des images proposées sur le site principal, les originaux de celles-ci ne m'appartiennent pas. Bien que la plupart soient aujourd'hui dans le domaine public, cela ne signifie pas pour autant que leur réutilisation à des fins commerciales soit toujours autorisée. Veuillez donc prendre connaissance des conditions d'utilisations des sources citées avant d'intégrer ces images à vos projets.
Me contacter
Benvenuto Cellini in his studio.
After a painting by Robert Fleury, from L’artiste, series 2, Vol. 7, Paris, circa 1841.
(Source: archive.org)
Small mosque near Smyrna.
After a painting by M. Bouquet, from L’artiste, series 2, Vol. 7, Paris, circa 1841.
(Source: archive.org)
Penserosa.
Célestin Nanteuil, from L’artiste, series 2, Vol. 7, Paris, circa 1841.
(Source: archive.org)
Decoration project for the Pont de la Concorde.
Henri Labrouste, from L’artiste, series 2, Vol. 7, Paris, circa 1841.
(Source: archive.org)
The shrimp fisherwoman.
After a painting by Eugène Le Poittevin. From L’artiste, series 2, Vol. 7, Paris, circa 1841.
(Source: archive.org)
The steeple-chase.
Francois Jules Collignon, from L’Artiste, series 2, vol. 5, Paris, 1840.
(For those who can read French, there’s an article by Henri Beraldi on the site, which sheds some light on the role played by the magazine L’Artiste in the French Romantic movement. In French only, though.)
(Source: archive.org)
The good dad.
Eugène Le Poittevin, from L’Artiste, series 2, vol. 5, Paris, 1840.
(Source: archive.org)
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Agostino Lacurci. La Finta Nonna.
Illustration for the novel La finta nonna, contained in Fiabe Italiane
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