“Hurrah!” he cried.
Jules Férat, from L’île mystérieuse (The mysterious island), by Jules Verne, Paris, 1870.
(Source: archive.org)
The eagle and the fox.
Ernest Griset, from Æsop’s fables, with text based chiefly upon Croxall, La Fontaine and L’Estrange, London, New York, 1869.
(Source: archive.org)
the owl and the grasshopper.
Ernest Griset, from Æsop’s fables, with text based chiefly upon Croxall, La Fontaine and L’Estrange, London, New York, 1869.
(Source: archive.org)
Pen drawing by Alfred Brennan, from the Continent.
From Modern illustration, by Joseph Pennell, London, 1895.
(Source: archive.org)
The peacock, two goslings, and the diver.
Jean-Jacques Grandville, from The fables of Florian, by Jean-Pierre Claris de Florian, New York, 1888.
(Source: archive.org)
The weakest goes to the wall.
John Leighton, from Moral emblems : with aphorisms, adages, and proverbs, of all ages and nations, translated and edited by Richard Pigot, London, 1860.
(Source: archive.org)
Madame la Duchesse came into the world to be a curvy, stout person, healthy and enjoying good meals, good drinks…
J-J. Grandville, from Vie privée et publique des animaux (Public and Private Life of Animals), under the direction of P. J. Stahl, Paris, 1867.
(Source: archive.org)
Ex-libris with swans
From A collection of book plate designs, by Louis Rhead, Boston, 1907.
(Source: archive.org)







