Tracery from the Campanile of Giotto, at Florence.
From The complete works of John Ruskin, vol. 1, New York, 1900.
Via archive.org.
Traceries from Caen, Bayeux, Rouen and Beauvais.
From The complete works of John Ruskin, vol. 1, New York, 1900.
Via archive.org.
Chimneys.
From The complete works of John Ruskin, vol. 1, New York, 1900.
Via archive.org.
Capital from the lower arcade of the doge’s palace, Venice.
From The complete works of John Ruskin, vol. 1, New York, 1900.
Via archive.org.
Pierced ornaments from Lisieux, Bayeux, Verona and Padua.
From The complete works of John Ruskin, vol. 1, New York, 1900.
Via archive.org.
Arch from the façade of San Michele at Lucca.
From The complete works of John Ruskin, vol. 1, New York, 1900.
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“Faster, sirrah !” said Quilp, looking up at the old gateway…
From Master Humphrey’s clock vol.1 , by Charles Dickens, illustrated by George Cattermole and Hablot Knight Browne. London, 1840.
Via archive.org.
St. Paul’s cathedral - looking west.
From Old England : a pictorial museum of regal, ecclesiastical, municipal, baronial, and popular antiquities vol. 2, by Charles Knight, London, 1860 (?).
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The tomb of Mary Queen of Scots, Westminster Abbey.
From Old England : a pictorial museum of regal, ecclesiastical, municipal, baronial, and popular antiquities vol. 2, by Charles Knight, London, 1860 (?).
Via archive.org.
Wolsey’s hall, Hampton court.
From Old England : a pictorial museum of regal, ecclesiastical, municipal, baronial, and popular antiquities vol. 2, by Charles Knight, London, 1860 (?).
Via archive.org.









